Series:

Convergences, 2008-2015

Motion Picture #7, 2015, archival pigment inkjet prints, laminate boxes, 31 x 124 x 10 in. 

Motion Picture #7, 2015, archival pigment inkjet prints, laminate boxes, 31 x 124 x 10 in. 

Motion Picture #7, 2015, archival pigment inkjet prints, laminate boxes, 31 x 124 x 10 in. 

Motion Picture #7, 2015, archival pigment inkjet prints, laminate boxes, 31 x 124 x 10 in. 

Untitled Convergence 112, 2012, archival pigment inkjet print, laminate box, 8 ½ x 8 ½ x 1 ¼ in.

Untitled Convergence 112, 2012, archival pigment inkjet print, laminate box, 8 ½ x 8 ½ x 1 ¼ in.

Untitled Convergence 110, 2012, archival pigment inkjet print on laminate box, 10 ⅞ x 10 ½ x 2 in.

Untitled Convergence 110, 2012, archival pigment inkjet print on laminate box, 10 ⅞ x 10 ½ x 2 in.

Untitled Convergence 110, 2012, archival pigment inkjet print on laminate box, 10 ⅞ x 10 ½ x 2 in.

Untitled Convergence 110, 2012, archival pigment inkjet print on laminate box, 10 ⅞ x 10 ½ x 2 in.

Convergence 9, 2009, archival pigment inkjet print on laminate panel, 17 ⅞ x 23 ⅞ x 2 ⅛ in.

Convergence 9, 2009, archival pigment inkjet print on laminate panel, 17 ⅞ x 23 ⅞ x 2 ⅛ in.

Convergence 9, 2009, archival pigment inkjet print on laminate panel, 17 ⅞ x 23 ⅞ x 2 ⅛ in.

Convergence 9, 2009, archival pigment inkjet print on laminate panel, 17 ⅞ x 23 ⅞ x 2 ⅛ in.

Bisected Convergence 1, 2008, archival pigment inkjet prints on laminate panel, 7 ¾ x 7 ¼ x ¼ in.

Bisected Convergence 1, 2008, archival pigment inkjet prints on laminate panel, 7 ¾ x 7 ¼ x ¼ in.

Bisected Convergence 1, 2008, archival pigment inkjet prints on laminate panel, 7 ¾ x 7 ¼ x ¼ in.

Bisected Convergence 1, 2008, archival pigment inkjet prints on laminate panel, 7 ¾ x 7 ¼ x ¼ in.

Convergence 11, 2009, archival pigment inkjet print on laminate box, 9 ⅞ x 9 ⅞ x 2 in.

Convergence 11, 2009, archival pigment inkjet print on laminate box, 9 ⅞ x 9 ⅞ x 2 in.

Convergence 11, 2009, archival pigment inkjet print on laminate box, 9 ⅞ x 9 ⅞ x 2 in.

Convergence 11, 2009, archival pigment inkjet print on laminate box, 9 ⅞ x 9 ⅞ x 2 in.

Convergence 11, 2009, archival pigment inkjet print on laminate box, 9 ⅞ x 9 ⅞ x 2 in.

Convergence 11, 2009, archival pigment inkjet print on laminate box, 9 ⅞ x 9 ⅞ x 2 in.

23rd St. Convergence, 2011, archival pigment inkjet print on aluminum and wood box, 22 ⅛ x 22 x 3 in.

23rd St. Convergence, 2011, archival pigment inkjet print on aluminum and wood box, 22 ⅛ x 22 x 3 in.

23rd St. Convergence, 2011, archival pigment inkjet print on aluminum and wood box, 22 ⅛ x 22 x 3 in.

23rd St. Convergence, 2011, archival pigment inkjet print on aluminum and wood box, 22 ⅛ x 22 x 3 in.

Untitled Convergence H17, 2013, archival pigment inkjet print, aluminum box, 37 ⅛ x 77 ½ x 3 in.

Untitled Convergence H17, 2013, archival pigment inkjet print, aluminum box, 37 ⅛ x 77 ½ x 3 in.

Untitled Convergence H17, 2013, archival pigment inkjet print, aluminum box, 37 ⅛ x 77 ½ x 3 in.

Untitled Convergence H17, 2013, archival pigment inkjet print, aluminum box, 37 ⅛ x 77 ½ x 3 in.

Untitled Convergence 103, 2012, archival pigment inkjet print on laminate box, 10 ¾ x 9 ½ x variable in.

Untitled Convergence 103, 2012, archival pigment inkjet print on laminate box, 10 ¾ x 9 ½ x variable in.

Untitled Convergence 103, 2012, archival pigment inkjet print on laminate box, 10 ¾ x 9 ½ x variable in.

Untitled Convergence 103, 2012, archival pigment inkjet print on laminate box, 10 ¾ x 9 ½ x variable in.

Highline Convergence 4, 2011, archival pigment inkjet print on aluminum laminate box, 19 ¾ x 32 x 3 in.

Highline Convergence 4, 2011, archival pigment inkjet print on aluminum laminate box, 19 ¾ x 32 x 3 in.

Highline Convergence 4, 2011, archival pigment inkjet print on aluminum laminate box, 19 ¾ x 32 x 3 in.

Highline Convergence 4, 2011, archival pigment inkjet print on aluminum laminate box, 19 ¾ x 32 x 3 in.

As early explorations of what is flat and what isn't, views of common convergent planes in architecture and infrastructure, flattened and abstracted through cropping, are brought off the wall by a box or brace - placing the flat compositions back into a three-dimensional, architectural context.

"I realized the uniformity of the sky was a key player in the flattened view and so I would often color the sky in these pieces. When I concluded this series, Convergences, I continued to explore the flattened images around me on Instagram @titan_of_leisure. Those images are unaltered and I wait for the sky to be uniform on its own."

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© 2025 ethan ryman